Monthly Archives: February 2017

Most Beautiful Object in South Africa 2017 Finalists!

MBOISA 2016

It’s our pleasure to present the much-anticipated Most Beautiful Object in South Africa (MBOISA) 2017 finalists. Featuring a mixed bag of finalists including film, fashion and art, the MBOISA finalists were nominated by ten local celebrity influencers and tastemakers. Beauty is so subjective and sometimes the chosen objects can seem so arbitrary and unconventional. Fortunately, a short video was made of each finalist to better explain why the object has been nominated and what makes it beautiful.

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“Every year Design Indaba invites the public to engage with the question of what constitutes beauty through the MBOISA award. More than just an object of visual delight, MBOISA encourage a wider definition of beauty – one that encapsulates attributes such as social significance, economic impact, usability, sustainability and even humour.” – Design Indaba

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This year the various Most Beautiful Object in South Africa nominations will be exhibited at the Artscape in Cape Town as part of the annual Design Indaba Festival in next month. While Design Indaba Conference and Simulcast-goers can view the exhibition throughout  course of the Festival, the exhibition will be open to the public as part of the Design Indaba Nightscape programme at the Artscape Theatre each day from 1 to 3 March from 17:30, or enjoy a free visit on Saturday 4 March from 10:30 until 16:00.

{The winners will be announced the 3 of March 2017. Go to the Design Indaba website (here) for a full description of each finalist’s design and to VOTE!}

View the 10 Most Beautiful Object in South Africa nominations below:

BUTTERFLY WALL INSTALLATION: by Mark Rautenbach

Taking inspiration from the 19th-century practice of collecting butterflies for display, Mark Rautenbach designed this vast installation using a material that is traditionally thought to be disposable – burnt paper. He wanted to create something that is both delicate (fragile wings suspended by thread) and banal (destructed pieces of paper) in nature.


GQAMA NTYATYAMBO: by Loyiso Mkize

Gqama Ntyatyambo is a painting by fine artist Loyiso Mkize that was spotted by Alinah Seloane on social media. It captivated her instantly as she saw a reflection of her own life in the artwork’s depictions of female stoicism. Various statuesque scenes are portrayed in minute detail around the face of the main subject that represent the various social dynamics that women face in a modern South African context.


INDALO BACKPACK: by Inga Gubeka

Gubeka’s backpack design, ‘Umthwalo’ (meaning ‘baggage’), is simple and detailed. Using basic woodcraft and surface-finishing techniques, he creates wooden backpacks that are ready for the real world of wear and tear. The form consists of a sturdy wooden box as a base, hand-dyed leather straps and a lid mechanism made of wooden bands.


JOE SLOVO WEST COMMUNITY PROJECT: by Kevin Kimwelle

The Joe Slovo West Community Project, a haven for small children on the outskirts of Port Elizabeth, was nominated by SA filmmaker Hanneke Schutte. The small school’s design was managed by Kevin Kimwelle, an architect with an affection for alternative building methods and sustainable design. The project was a total renovation of a previous nursery that had become too small to host the growing number of toddlers that relied the nursery on a regular basis. A local non-profit organisation, Love Story, stepped in and drafted the help of a number of architects to revamp the space.


KARIBA TRAILER: by Blue Forest Collective

“Kariba is a film project in the making that originally started as a graphic novel by Cape Town-based Blue Forest Collective. It tells the story of the Zambezi river and the mythical spirit that guides its waters. The plot is driven by the construction of the Kariba dam wall, a barrier that causes disturbance in the natural surroundings where the rules are bent by magic.”


MOROCCAN MAGIC DRESS: by Nandi Mngoma

The Moroccan Magic Dress is the culmination of the collaborative effort between two young South African fashion designers, Nandi Mngoma and Inga Madyibi. Taking inspiration from the architecture of Morocco and the country’s vibrant approach to colour, the fashion duo created a range that would express the ethos of a new Africa.


SCULPTURE FROM LEFA LA NTATE INSTALLATION: by Mohau Modisakeng

In an effort to solidify photographic imagery in material form, South African visual artist Mohau Modisakeng cast his own likeness in resin and bronze. It forms part of a larger travelling exhibition known as Lefa La Ntate. It was the unsettling attention to detail in the artwork that caught the eye of musician Nakhane Toure: the facial texture, expression and life-like form of the bronze figure that moved Toure. As he puts it, ‘I like my beauty to be a little bit more… rough.'”


THE HAWKERS ROCKING CHAIR: by Thebe Magugu

The Hawker’s Rocking Chair is a product of cooperation between fashion designer Thebe Magugu and craftsman Emile Millward. These disparate designers each brought their expertise and sense of style to the creative process – an odd relationship that culminated in the unique rocking chair. Magugu derived inspiration from powerful and distinct women for this project, exploring both masculinity and femininity, quirky textiles and the relationship between metallic textures and hues of green.


THE ROCKPOOL COFFEE TABLE: by Caroline Vieira

The RockPool Table is a natural seawater scene enshrined in ceramics. It is an affinity for the Earth and professional craft that drew Roger Ballen to this design by ceramics-guru Caroline Vieira. Passionate about organic development, Vieira describes the fact that some of the RockPool surfaces broke during creation, resulting in flaws that she would keep as part of their new design as small tables with help from her husband.


THE SANKARA RUG: by Nkuli Mlangeni

“The Sankara Rug by textile designer Nkuli Mlangeni is an expression of southern Africa’s modernity as well as its rich history of craft, according to interior designer Bielle Bellingham. She was drawn to the work of Mlangeni and her artisan team, not only for their high level of weaving skill but also the cultural research and historic imagery that informs Mlangeni’s designs.”

So what do you think, see something you like? Who is going to get your vote?

Creative SA: Miche Watkins

Last year we introduced a new blog series, Creative SA. In this series we will regularly feature South African makers.

by Rose McClement

In the spirit of moving forward with this series, I would like to introduce you to another South African artist, Miche Watkins.  Miche and I met online – how that came about I just simply can’t remember.  But you know the story, if you knock around a few online portals long and often enough, you find one another.

Creative SA: Artist Miche Watkins

Since that first time a few years ago we have kept pace with each other via Facebook largely, until Miche visited Cape Town last year, when we had the opportunity of catching up eyeball to eyeball. Although Miche relocated to the UK a few years ago to be close to her family, she lived in Cape Town for a long time. That I think was the glue that formed the bond early in our friendship, the fact that I used to post images of beautiful Mother City and she would respond with great yearning.

I’m not much of an art “knower” or a “knower of art”, but this I do know about myself… I know what art appeals to me. Over the past few years I have exposed myself to more and more artists and in doing so I have come to understand that which appeals to me and that which just goes over my head.

The question then is what is it that appeals to me about the body of work that Miche brings to the world?  It is her particular style of Pop Art-ish line drawings – she only introduces a hint of red or colour that I am simply taken with.  They are funky, contemporary, youthful and more often than not, faceless images.

Creative SA: Artist Miche Watkins

As a decorator finding something that is appealing yet not specific in terms of its image, is a very big draw. Her art can be installed into offices, hotels and residences alike – any space that can indulge a bit of contemporary funk. I see Miche’s art hanging on the walls of some trendy millennial’s apartment or in the room of an edgy teen.

She has recently introduced another element into these clean lined paintings – that of Street Art.  It’s the combination of the street art and line drawings that work for me. Take a look for yourself and you decide if this art appeals to you or not.

Creative SA: Artist Miche Watkins

In closing let me add that I have great admiration for artists who put out their work for the public to scrutinise – possibly appreciate, or possibly criticise.  They are such a brave crowd of creatives. Plus having to market their work in an already overcrowded arena and run it like a business – that takes extra commitment to the cause.

Futher, I know that Miche puts her heart and soul into her paintings as well as her business.  Hats off to her!

Creative SA: Artist Miche Watkins

Her work can be seen and purchased on the online art portal, State of the Art, as well as the bricks and mortar State of The Art Gallery in Bree Street, Cape Town – the heart of our buzzing city.

You can also follow Miche on FacebookInstagramTwitter.

Château de Gudanes – Timeless Love Story

By Rose McClement

Okay – who of you reading this right now can recall the movie Love Story from way back in 1970? (Oh my word, I feel “timeless” just recalling it. Timeless in this case being a kind word for “old”).  It starred Ali McGraw and handsome Ryan O’Neill and was the tearjerker of the decade. At the time, it was meant to be the love story to top all love stories!  Just to give you an indication of how bad-ass sad this move was, I was warned beforehand to take my tissues with me to the movie house.  But the love story I am about to share with you, actually tops the forgotten 70’s tearjerker. It’s real and authentic.

Love Story (1970) Ali McGraw GIF

Ali McGraw spouting that famous line – “love means never having to say you’re sorry” – in Love Story (1970).

It was sometime back that I somehow connected with the Château de Gudanes.  Exactly how that happened I can’t recall.  As I cast my mind back now, I vaguely recall that one of my friends was following their blog and thought it might interest me from an interiors point of view.

Well, it sure did.  I was intrigued by the Château and its owners from the first blog article I read and have followed their progress over the last few years.  The newsletter updates aren’t that frequent, but when they drop into my inbox I can’t wait to catch up.  With each passing newsletter, my intrigue and fascination is deepened, as is my desire to eventually visit this Beauty in French Countryside.

Built in the mid 1700’s, Château de Gudanes, a timeless and forgotten Stately Home in the French Country side, despite being sorely neglected, cast aside, pretty much abandoned and forgotten with the passing of time, still stands proudly in the south of France in the small village of Château-Verdun. It stands on the foothills of lush fertile French country surrounded by mountains and nearby French country villages. In the midst of it neglected state, the Château managed to hold its head up high enough to catch the attention of  Australian couple, who were looking to set themselves up in that neck of the woods.  What more could Craig and Karina Waters with a very big vision want for? If I recall, it was to create a new country home for their family while sharing it with as a guesthouse with all who wished to do so.  The Château it seems called their name. They in their turn hearkened it calls, despite the numerous restoration challenges that they must have known would face them.  Were it me, I might have run for the hills!  It was to be a mammoth task, something that could only be supported within the context of a brave and determined vision.

Want to hear my fantasy around the call of the Château to its new owners? Here goes – in my mind’s eye they saw its outward, regal, stately and romantic appeal at first – standing there wooing them to its heart.  Like any other romantic call, the outward appearance draws one in.  Then once inside – they were faced with the harsh realities of the ravaging effects that neglect and “careless-ness” had on its once beautiful interior features!  Did that put them off?  By all accounts it didn’t.  In fact I assume they admitted to the reality of it forgotten state, but looked beyond that to it hidden beauty, a beauty that they could unearth, unpack and once again restore.  And that is why they committed to this long term relationship with the Château. What an experience of a lifetime, which they took hold of and made it their own.

That’s my take on their initial and early day encounters with the Château (only because I can’t find the account that I read years ago, which means I am left with the little recall I have).  But it works for me. I don’t really want to spoil my own romantic notion of their encounter by spending time trawling their website for the facts.  I mean, this is the month of LUV, not facts!

Because ultimately, that is really what Love is all about. We are drawn to each other, attracted to each other by some magical yet inexplicable force (which we can explain if we want to be spoilsports). Then when we step in closer to each other, we are faced with certain realities of neglect and careless-ness.  But despite that – we stay with each other, work with each other and then reap the rewards. That’s Love for me. It’s not always romantic, but it’s true.

Now, looking at this latest video that has been produced, something so romantic has once again been given back to the Château by those brave, tenacious, creative, determined and love filled owners, who have loved the Château despite the odds often being stacked against them.  Plus they have allowed others to show love to its restoration as well, by including many people into the volunteer work force.  It’s a long story indeed and one that you are more than welcome to dip into by jumping over to their website, to trawl through their amazing recorded stories.

I want to salute the owners Craig and Karina Waters for their big vision, determined courage, steadfastness and for all they have achieved thus far. I am equally determined to visit the Château in the not too distant future as a fulfilment of my dream.  Either to assist in the restoration for a while as a volunteer or as a guest in their home. I dream of waking up in one of those boudoirs that pulsate with that timeless authenticity that has been restored with so much fastidious love and care. To breath in the fresh country air and to explore the depth of the house as well. But mostly to pop my laptop onto the French antique desk that stands in front of the window with a mountain view that is to die for – to write.  TOTAL BLISS!

Misty morning at the Chateâu…..☁️ 📷: @nina_van_ewijk

A post shared by France (@chateaugudanes) on

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Be sure to check the Château de Gudanes‘s Instagram account: here, for more stunning pictures of the Château.

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