Monthly Archives: February 2016
It’s still all things Design Indaba 2016 here at The Design Tabloid.
And a quick little indemnity here: This is a longer than normal read, please bear with me. South Africa is loaded with talented creative folk – that has always been the belief of The Design Tabloid. Our philosophy from the outset has been to use this blog as a platform to reveal these creatives not only to the locals in SA, but further afield. Design Indaba affords us this opportunity and we take advantage of it, to share with our readers.
I attended the launch of the 2016 Emerging Creatives at the V & A Watershed. I must say, it takes a bit of doing to get my head around these Creatives being presented outside of the Expo environment. It seemed a little drab by comparison. Yet, despite that nothing could take away from the standard and quality of the creatives that were featured this year. The upside of this different venue was that I had time enough to absorb the exhibited works, which was previously something of a struggle in the crowded Expo Hall.
The Class of 2016 are serious contenders in the world of design. Since there are quite a number of Creatives it is always so very difficult to give all of them mention in our review. As they are to be found among the few selected Exhibitors, is credit indeed to them. That already sets them apart from the herd. For this reason alone, I have decided to work in categories and present you with some of each category. Marica and I have always used this criterion “What and who made a lasting impression on us.” Those are the ones to be featured here. Naturally this is quite a subjective way of doing things, but then that is what blogging is all about.
However, before I launch into my “first impressions peeps” I just want to add that I stand in awe of these young, emerging creatives. Being a creative business person, I know that it take resolve, faith in your product/service, money and risk to get out of the starting blocks. Along come these young creatives, put their money and trust into their talents, take the risks and put their products out there for all to view. Long may their business spirit and ventures last and kudos to them.
Being so entrenched in the world of interiors, I am naturally drawn to any piece of Object‘d Art, furniture, fabric or image without much effort. This year however, I have to confess that I was drawn to a fashion creative, cultural explorer, followed by an illustrator.
LACED by Dhiantha Achary:
First up (probably because I am such a sucker and fan of sneakers or as locally known – tekkies) a young lady by the name of Dhiantha Achary. She has taken her artist skills and applied it onto casual footwear. Yes – I know that the branded sneakers are out there. Nevertheless, the kind of hand-crafted, customised footwear pattern she creates, gives the unique flavour. Her brand is called LACED. Her business started out as a way to create unique gifts for select family and friends. However, as the popularity of her shoes grew so did her orders. She tells me that each shoe takes at least 9 hours to paint. Wow! Dhiantha is developing new strategies on how to collaborate with other artists on the LACED project and expand the business to incorporate more than footwear. I say – You Go Girl! All the best going forward!
+NESS by Max Melville & Jamil Randera:
Have you ever been completely drawn in by the subject matter of an exhibition stand you were viewing? Well that is how I felt when approaching the work of Max Melville & Jamil Randera. Their work falls into the Illustrations category (for me anyway). The name of their brand is +NESS. Quirky hey!
This splurb on the Design Indaba website says it best: “The project and its artworks present an array of architectural projects that help define the skylines, culture, and history of South African cities. Accurately drawn facades of different buildings are paired with unique colour schemes to express their particular character and context and ultimately uncover each building’s essence, charm, and ‘+NESS’. Displayed together, the collective body of work reveals the ‘+NESS’ of our cities.”
Again – these images / artworks, so beautifully illustrating our local iconic buildings and culture, so did it for me. I could easily include their works of art into any relative interior project that we undertake.
Find +NESS on: Instagram
Totamma by Galerekwe Maimane:
The third creative that attracted me was the work of Galerekwe Maimane, in the category Multi Media Design. She is an aspiring film director whose body of work is inspired by irrational fears and insecurities. Her exhibit held my attention the longest. I could not pull myself away from the film on view. This is probably because the diversity of cultural practises and heritages throughout South Africa appeals to me. The digital project is named “Totamma”.
Galerekwe had this to say about the project: “This is about exploring African identity and culture. An attempt at undressing nuanced and complex experiences not unpacking them. It currently consists of a YouTube series ‘then/now’, plus a companion book called ‘U+’ and can be accessed from www.totamma.co.za…” If this is your kind of interest, then go take a peek for yourself.
Okay – so this was Part 1 of a possible 3 instalments. What do you think of these creatives? Tune in again next week for Part 2.
Cheers for now all.
The Design Indaba Expo is dead. Did you know? It was announced in June of last year already but somehow we missed that little titbit. Our tight work deadlines last year meant that several of the Design Indaba newsletters went straight to the trash bin unread.
Earlier this week we received confirmation of our press accreditation to attend the Conference Simulcast as we have done previous years. While sifting through the info and programme we were slightly puzzled as to why no mention was made of the Expo. I checked the website and to my utter astonishment found that the Expo is no more.
I thought I read wrong. It must be a mistake. This makes no sense.
Sure enough, an Indaba representative later confirmed the sad fact via telephone.
What is the reason behind this decision? Well, to the two of us, their explanation seemed “lig in die broek” – a little feeble to say the least.
Seemingly, Design Indaba feels that the Expo’s platform has gotten too small for the large demand: “The limitations of hosting one event, in one venue, in one city have become more apparent and we want to drive our platform to become even more inclusive.”
However, we will console ourselves and trust that the collective wisdom of Design Indaba that brings to South Africa some of THE foremost Design brains and personalities has a plan going forward. Yet, having said that, the hole that is left by the passing of this exceptional Expo is still felt. I feel sure that we speak for many, many of the pubic and the creatives alike. In this sad frame of mind, one almost wants to believe that a public vote might have been the order of the day, when making the choice to kill off the Expo or not.
The Expo was the “public face” of Design Indaba. It was the event that guaranteed the most “feet” – i.e. public exposure. More than six hundred exhibitors, covering every aspect of design, under one roof. What an amazing convenience.
Only two years ago Design Indaba was boasting with their massive income earning potential. 48 700 people, both local and international, visited the Expo in 2014. Exhibitors taking part in that same year’s Expo earned an amazing total of R 201.9million – yes, million – from business orders and sales.
That fact aside, the most appealing factor about the DI Expo for those of us resident in Cape Town, creatives and public alike, was that it really was one helluva grand showcase of SA design and crafts. For once the creatives from Jozi flocked to Cape Town, instead of the other way around (Jozi being host to some SA’s premier design showcases).
For me it is almost unthinkable that this standard has been lost to Cape Town. We do have a few other design-related Expos held here, but they just don’t cut it in terms of new creative thinking, designs and product.
The biggest DI Expo draw was that it was all under one roof. We did not have to schlep around town to the various venues and markets to catch a glimpse of what was hot and no hot. Is this now the only recourse left to us? If Design Indaba thinks that this is going to happen, I would venture to say – think again! A one-stop-shop like DI Expo has a far greater marketing impact than driving feet to the individual creative outlets (which is what I hear is planned by the Design Indaba marketing team).
What a total and utter shame.
What will take its place? Well, Design Indaba is still working on some new ideas. So who knows? Maybe they will surprise us with a new, better and more innovative platform.
Let us console ourselves with the fact that Cape Town remains the host city for the power-packed Design Indaba Conference and the Emerging Creatives exhibition.
Rest in peace Design Indaba Expo. You were the cream of local design-related expos, and will be sadly and greatly missed.
I’m a little put off by myself. You see, my head was so in the clouds last week that I completely missed the start of the Design Indaba FilmFest last Thursday. Now I have snoozed through all the films I really wanted to see.
Like last year Design Indaba teamed up with The Labia Theatre, Cape Town’s oldest independent cinema, to present the annual Design Indaba FilmFest from the 11th to the 20th of February. Ten days, ten movies to inspire and entertain you.
There were three features, two doccies and one movie, I was dying to see. Two of those have already been screened (sad face). Fortunately, Design Indaba has saved the excellent options for last. Here are some of the films you can still attend before the event closes on the 20th…
Anomalisa, directed and produced by Charlie Kaufman and Duke Johnson, is a stop-motion animated film that tells the story of a downcast self-help author’s unexpected encounter with a telesales girl.
Dubbed “the most human film of the year” in 2015, Anomalisa presents a world where everyone is identical from the perspective of the protagonist, Michael Stone. Every character, including Stone’s wife and son, has the same face and the same voice until he meets a seemingly ordinary women who he perceives to be extraordinary, an anomaly. The story unfolds as Stone’s cynical perspective on his mundane life starts to change.
Anomalisa will be screened as part of the FilmFest on the 20th of February. Book your ticket: here.
Described as “quick-witted treat” by the Hollywood Reporter, Very Semi-Serious takes a behind the scenes look at one of America’s most established publications, The New Yorker, which is known for iconic and often controversial cartoons.
Directed by Leah Wolchok, the documentary film looks at the cartoons that “make the strange familiar, or the familiar strange,” and the cartoonists who make it happen.
They succeeded in many aspects of the newspaper, which now includes fiction, journalism, and cartoons that poke fun at the sections of society who “take themselves too seriously”, says Wolchok.
Very Semi-Serious will be screened as part of the FilmFest on the 18th of February. Book your ticket: here.
The Infinite Happiness:
The Infinite Happiness is a feature-length documentary by filmmakers Ila Bêka and Louise Lamoine. The film follows them as they spend 21 days in and among the apartments and tenants of the “8 House”.
The two explore, investigate, interview and experience the lives of those living and working in this postmodern dwelling.
The “8 House” is a mixed-use housing development in Ørstad, Copenhagen desinged by the Bjarke Ingels Group. Shaped in the figure 8 it mixes residential and commercial and office space in what Ingels describes as “Architectural Alchemy”. Bjarke was a speaker at the 2012 Design Indaba Conference which I was lucky enough to attend. The “8 House” was one of the projects I spoke about – it was immensely inspirational.
The Infinite Happiness will be screened as part of the FilmFest on the 18th of February. Book your ticket: here.
If you want to take a peek at the FilmFest program or you want to book tickets, see the Design Indaba website: here.